President Trump’s October 9, 2019 overtures landed as music to the ears of many grizzled immigration lawyers who persistently suffer battle fatigue from the culture of virtually never. On that day the President released a double album, each with artfully penned liner notes:
[Blogger’s note: An anonymous immigration lawyer offers this lament on the woeful quality of adjudications at U.S. Citizenship and Immigration Services (USCIS). For related wailing, see: “ ‘I Hate [Bleep]ing Immigration Law’ — Whenever I Get an Unjust Request for Evidence,” “End the Tyranny of Immigration Insubordination,” and “Immigration Indifference
[Blogger’s note: Today’s post is written by my colleague and friend, Karin Wolman. Karin’s latest guest post, like her last one, available here, critiques USCIS policy changes that adversely affect the use of the O-1 visa category by artists and entertainers. When her last post was published on this blog, I was soon
[Blogger’s Note: This blog on dysfunctionality in the world of U.S. immigration law and policy welcomes principled and thoughtful commentary by guest writers. Today’s guest post is by Karin Wolman, a highly regarded New York immigration lawyer with an expertise in immigration issues affecting artists, entertainers and the venues where they perform.]
U.S. Citizenship